Plínio Palhano (Pernambuco, 1954), open bosom, turns to the generous landscape of Olinda capturing the tiny hues of its majestic colorfulness. Among the painted leafy branches, some architecture always turns up: a ramshackle mansion or a church tower against the landscape. The painting is boisterously born out of the surface of the canvas and preserves the remains, the matter of the living pigment present in the brushstrokes, composition of the pictures. The present field of his art demands huge, different areas craving for heights, sky and mysticism. The works are turned out with a painting essentially gestural. Maybe, because of this, they seem to represent the vigorous chromatic discourse of nature itself.