Series
LANDSCAPE AND ARCHITECTURE

The landscape allies itself to architectural drawing, making concrete the encounter of the forms idealised by man and the improvisation of the light, the air, the plants, as two forces: one in movement, in constant mutation; the other representing curves, straight lines, that can be towers and church facades, roofs, demarcating the symbolism of time and the presence of the generations sealed in the works of stone and whitewash.

Critiques